In some ways it’s a strange marriage of influences, in other ways it makes sense. I am most directly interested in the utilitarian pottery of the southeastern United States from the 19th and early 20th centuries, and the country pottery of Oribe, Japan. Both styles of pottery were made for the storage and serving of food. Both were fairly simply made with minor decoration and glazing. And both were made in a spirit of directness and respect for the material and the process. I have always loved these pots from different cultures and am really trying to capture some of the freshness and strengths of these two influences.
My work is always autobiographical whether I am working figuratively or architecturally, or even when making vessels. It is always about history and/or age, and always tells a story, a personal narrative. I rely on memory, free association, and daily life events as my subject matter. Most recently my children have been a big part of the picture. Prior to that a trip to Crete to study Minoan archeology was my source of inspiration.
Born in Orange, NJ, the son of a German hosiery salesman, Ted Saupe somehow ended up at the California College of Arts and Crafts where he received a BFA in ceramics. He went on to earn his MFA from the University of Wisconsin with Don Reitz. He taug
"My work is always autobiographical whether I am working figuratively or architecturally, or even when making vessels."
- education 1979 MFA University of Wisconsin
- WI 1972 BFA California College of Arts and Crafts
- CA selected exhibitions 1998 ''Ceramic Sculpture
- '' Lamar Dodd Art Center
- LaGrange College
- GA1996 Georgia Council for the Art
- Ted Saupe’s pots have been called “poetic visions that arti…
- but the story of the clay itself.” “My work is always autob…
- ” he states
- “whether I am working figuratively or architecturally
- or even when mak